Sunday, December 10, 2017

Pics of the ceremony

Some pics of last Saturday's ceremony, award arts plastiques 2017 Fondation Charles Oulmont, Paris.
It's been an honor for me to receive this award and an encouragement to carry on.








Friday, November 10, 2017

"La Oficina" Sala Lai, Gijón,

Pics of the opening of my show at Sala Lai, Gijón, Spain. You can still visit it until 28th November.












Saturday, October 21, 2017

Award from the Fondation Charles Oulmont, Paris

I am deeply honored to receive this Award, Fondation Charles Oulmont, Arts Plastiques 2017



Wednesday, October 11, 2017

The Office, in Gijon, next 8th november, exhibition

Next month I will show my installation, The office at Sala Lai, Gijon, Spain. from 8th november until 28 november.

http://www.laimuseum.com/ART/La_Oficina/site.html







Saturday, April 29, 2017

More weird drawings 2

Here are some more of the weird drawings I do at my job just for fun when I get bored. All of them are DINA4 (21x29cms) and made with ink and water on paper






Friday, April 07, 2017

Mea Maxima Culpa

Some pics of my last show at ArtDealProject, Barcelona:

Mea Culpa, mea máxima culpa
is a latin phrase that means, "through my fault, through my most grievous fault", The phrase comes from a prayer of confession of sinfulness, known as the Confiteor, used in the Roman Rite at the beginning of Mass or when receiving the sacrament of Penance.
Our Judaeo-Christian moral teaches us that the Original Sin is indelible and is a part of our human nature.
This internalization of the Sin, this universalization of the Blame is used in a perverse way by our Neoliberal-postcapitalist system: The system encourages the precariousness, the lack of job stability and the increase of the unemployment rate, but it also blames the individual for this precariousness. Is the individual's fault to be unemployed or to be a contingent worker because "to be successful you have to exert yourself".
The Neoliberal-philosophy uses and disrupts the Judeo-Christian moral, and I use and disrupt the Catholic Imagery carving sculptures that through irony, humour and absurdity help us to think about our fitting in this contemporary social machinery.